Strategy in Amatai no Shugo-ryū (Part I)

      Saya no uchi.  Saya no uchi no kachi.  Victory with the sword still in the scabbard.  The words almost shout at the swordsman, exhorts him, to remember that physical combat is always the last resort.  No matter how confident one may think they are, how many techniques they may know, a master of strategy will always find a way to win without fighting.  This is a  message that is not unique to our dojo; rather, it has been passed down through the ages.

      Sun Tsu once said:

      To fight and conquer in all your battles is not supreme excellence;

Supreme excellence consists of breaking the enemy’s resistance without fighting.

Did not Miyamoto Musashi make this a central point of his Go Rin No Sho, The book of the Five Rings?  Did not Yagyū Munenori, founder of the Edo Branch of Yagyū Shinkage-ryū from which Amatai no Shugo-ryu draws so much, preach this very thing time and again?

      The path to mastery of Amatai no Shugo-ryū, Yagyū Shinkage-ryū, or any form of Kenjutsu is long indeed.  Before anyone can achieve success by virtue of intellect or willpower, they must have a deep understanding of the principles of swordsmanship and of a nature which will allow them to act in keeping with those principles.  One can only acquire this through constant, long-term practice and the study of strategy; which includes the old texts by those Musashi and Yagyū Munenori, among others.

      Simply put, strategy is a plan of action with the intention of accomplishing a specific objective.  A true swordsman practices his art with two very definite objectives in mind:

n     To cut the opponent while avoiding being cut.

n     To progress in the direction of perfection of character.

To cut the opponent while avoiding being cut is in one sense largely external, because it depends, in part, on technique and strategies which are taught and learned.  The second goal, to progress in the direction of perfection of character, is more internal, as it comes from within each of us; yet, it is equally as valid.  Both of these objectives are keys to the proper practice of the art of swordsmanship and every subsequent goal is derived from them.